“It’s Chuck Rainey’s concept of ‘what you don’t play is as important as what you do play’”: After decades of studio sessions with artists ranging from Eric Clapton to Usher, Nathan East reflects on the business of bass

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By now, the bass guitar world has grown accustomed to Nathan East breaking new ground – from the R&B/funk dimension he brings to rock god Eric Clapton, to the considerable writing, singing, and soloing skills he displays with jazz über-group Fourplay, to the “real” bass he adds to mechanized Top 40 hits by artists like Mary J. Blige, Justin Timberlake, Usher, and Daft Punk.

As a sideman for over 50 years, there’s nothing East hasn’t done. Seminal recordings with Lionel Richie, Kenny Loggins, Whitney Houston, Michael Jackson, and Elton John, as L.A.’s first-call bassman? Check. Performing and touring across six continents with artists like George Harrison, Sting, Herbie Hancock, and Toto? Done. Co-writing a No. 1 hit – Easy Lover, with Phil Collins and Philip Bailey? Yessir. Somehow, East has also found time to head in the direction of solo artist.

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