As one of the fiercest guitarists of the immediate post-Hendrix generation, Canadian Frank Marino blazed a trail as a shredding soloist, master of riffage, and one of the game’s earliest hot-rodders. If you listened to any of his output with Mahogany Rush, you’re very aware of his prowess.
But to see Marino live was to see him in his true element: backed by any number of solid-state amps and a six-foot-long pedalboard at his feet, filled with stompboxes of his own creation – in an era when oodles of pedals weren’t a thing.
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